
Advertising · 1990s – 2002
Advertising taught me to earn attention.
Before the films, I worked at Kráneo and then as creative director at Staff D’Arcy. In 2002, Adlatina recorded a winning idea and a placement at Agulla & Baccetti.
Alan Nadal · Director · Producer · Actor · AI cinema systems
I began in advertising, moved into film, stepped in front of the camera and built the companies, worlds and AI workflows behind the work.
The story

Advertising · 1990s – 2002
Before the films, I worked at Kráneo and then as creative director at Staff D’Arcy. In 2002, Adlatina recorded a winning idea and a placement at Agulla & Baccetti.

A parallel track · Acting · 1995 – present
I have fifteen screen credits, from El culpable to The Lost City, Ladrones and Sharktopus vs. Pteracuda. I experienced the director’s questions from the other side of the camera.
El Enófilo, Saber & Beber and La Cata Radial join in a connected media proposition around wine culture.
By Yoany Cruz · Editorial rendering from the public recordMedia · 2006 – 2008
El Enófilo connected publishing, television, radio, weekly audience research and live wine culture. The 2006 press record catches the moment media became an ecosystem.

Film · 2013 – present
Noche de Circo opened the feature-film chapter in 2013. Direction, writing, production and La Casita became the structure that gets work to the screen.

Original worlds · Present
Isla Curiosa brings an original Caribbean children’s universe to story, animation, nature and play.

AI cinema systems · 2025 – present
Cine con IA connects filmmaking, generative video, character pipelines, product systems and research. The work now includes ClueQuest, Isla Curiosa/Fuzzy, Seedance and Kling tests, Vlockster, MaluDB and a teachable method for directing human and synthetic production.
The next world · Now
Brands, films and original IP begin the same way: a world worth entering, and the conditions to make it real.
The screen record
Noche de Circo2013 · Feature filmDirector · Executive producer · Co-writer as credited on poster02
Una breve historia de amor2014 · Feature filmDirector · Writer · Executive producer03
Atravesando el Jordán2020 · Feature filmDirector · Producer · Premio La Silla, Best Original Song: “Hermoso Eres,” by Any Puello04
Motel2021 · AnthologyExecutive producer · Producer · Segment director05Public artwork
Bajo las Olas2023 · Documentary shortExecutive producer alongside Karla Groizard and La Casita de Producciones · Premio La Silla, Best Short07
En la OscuridadIn post-productionProducer08
KintsugiIn post-productionDirector09
A Veces GritoLa Casita · Feature filmGeneral producer · Executive producer10
Granito de ArenaLa Casita · ProductionGeneral producer · Executive producer11
Una Ola a la VezLa Casita · ProductionGeneral producer · Executive producerBeyond the frame
The production home for crews, locations, logistics, full film services and the films we keep pushing into existence.
The film continues after the credits: watch completed independent work, meet its makers and help the next production reach the screen.
The operating network behind Dominican cinema: production calls, applications and the people who turn a project into a working set.
The record
Premium-brand events, weekly consumer research and specialized media. The public archive records Alan as marketing manager of Marcas Premium and editor of El Enófilo.
The thirty-second discipline: concept, persuasion, rhythm and the nerve to defend an idea. Adlatina documented the agency path and the Fundación Agulla & Baccetti contest win in 2002.
Features, shorts, branded productions and the production structures around them. Credits are linked to the screen record, not reconstructed from memory.
Characters across Dominican and international productions, including Ned Killroy in Ladrones, Vasquez in Sharktopus vs. Pteracuda and The Lost City.
A formal line of work around generative media, audiovisual education, character pipelines, product systems, memory and documented AI-assisted production.